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The act of creating is a cathartic experience for most.

Both films are marked by subtle uses of their more fantastical elements, instead highlighting the characters and their intense situations, and how what they discover and change affects them in various stages of their lives.

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As the story plays out, Talli is a woman consumed by guilt over various tragedies and manipulated by a man skilled in gas lighting techniques.

In A Thousand Kisses Deep, the mechanism that sends Mia Jodie Whittaker through her own life is an elevator in her apartment building.

To her credit, Probst never presents Talli as a victim, even at the lowest points in the story.

This does not clear much up and more importantly, does not address the rules that only exist for the sake of plot convenience.

He was abusing her mom on a regular basis, so Talli lied to the authorities and told them he was hurting her.

Why can Talli talk to an eight-year-old version of herself and not her mom earlier in the movie?.