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In profile, he suddenly takes on an almost Neanderthal appearance, as his heavy forehead pushes down on that sharp wedge of a nose.

Camera color, widescreen, HD : Marczak, Maciej Twardowski.

Otherwise, this intermittently hypnotic paean to youth amounts to a loose catalog of how these three millennials spend the hazy hours between twilight and dawn when security guards, vampires, and party animals do their thing — which consists mostly of dancing, drugs, clumsy attempts at seduction, and various spontaneous acts of silliness picking fights, playing chicken with oncoming trains.

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Like good little consumers, they are keenly aware of what they lack, and they proceed in selfish pursuit of their own moment-to-moment amusement ours is secondary , seeking some abstract idea of connection based on casual sex.

Executive producers: Maxyne Franklin, Minette Nelson, David Eckles, Robert Serek.

With the rise of ethnographic filmmaking changing the visual language of non-fiction cinema in its own way, directors like are attempting to evolve the language for the type of verite cinema that has defined documentary filmmaking of the last half century.

Now, the novelty is gone, and the young people seem as disaffected and listless as they might in any capitalist country.

Starring Krzysztof Baginski, Michael Huszcza, and , the film stretches across two summers in Warsaw, as friends and lovers fall in out of relationships.

Even in crowds, the characters complain of being alone.